They say that the Cathedral of Milan is second only to St. Peter’s at Rome. I cannot understand how it can be second to anything made by human hands.
Mark Twain, Innocents Abroad (1867)
It all started in 1386 when Archbishop Antonio da Saluzzo laied down the first stone of a late Gothic style cathedral. Enthusiasm for the immense new building soon spread among the population, and large donations have been collected. The construction had exclusive use of the Candoglia marble.

Between 1500 and 1510, the cupola was completed and decorated in the interior with four series of 15 statues each, portraying saints, prophets, sibyls and other characters of the Bible. The exterior long remained without any decoration.
After 1571, the cathedral’s engineers strove for a new, Renaissance appearance for the cathedral, that would emphasise its Italian nature, and subdue the Gothic style, which was now seen as foreign.
The Cathedral is an awful failure. Outside the design is monstrous and inartistic. The over-elaborated details stuck high up where no one can see them; everything is vile in it; it is, however, imposing and gigantic as a failure, through its great size and elaborate execution.
Oscar Wilde, Letter from Milan (1875)
As the façade still was largely incomplete, at the end of the 16th century, the cathedral received a “Roman” style one, with columns, obelisks and a large tympanum.
In 1805, Napoleon Bonaparte, about to be crowned King of Italy, ordered the façade to be finished. Napoleon was crowned King of Italy at the Duomo.
The last details of the cathedral were finished only in 1965 which is considered to be the end date of a process that took almost 600 years. The Duomo’s main facade went under renovation between 2003 and 2009 when it showed again the original colours of the Candoglia marble.
A structure not supremely interesting, not logical, not … commandingly beautiful, but grandly curious and superbly rich. … If it had no other distinction it would still have that of impressive, immeasurable achievement … a supreme embodiment of vigorous effort
Henry James, Italian Hours (1909)
Like this:
Be the first to like this post.